warnings and important notes
before connecting this unit to other devices, turn off the power to all units. this will help prevent malfunctions and/or damage to speakers or other devices. if you need to connect/disconnect wires during use, always make sure to connect the cable to the TX–6 first.
never connect the 3.5 mm plugs going from the TX–6's inputs or outputs to a microphone input with active phantom power. this could damage the TX–6.
be sure to charge the unit using only 5V usb power, such as that from the usb ports of a computer, or by using a dedicated usb charger.
make sure to read the regulatory statements here
make sure you always have the TX–6 placed so it is level and sure to remain stable.
use your TX–6 where the ambient temperature is between 0 °C and 50 °C (32 °F and 122 °F) and the relative humidity is lower than 95 %. never install or use the unit in any of the following locations:
risk of explosion or fire if the battery is replaced with incorrect type or the unit is perforated.
do not try to charge or use a unit with a seemingly damaged battery.
only a battery supplied by teenage engineering and installed by qualified personnel should be used.
disposal of a battery into fire or a hot oven, or mechanically crushing or cutting of a battery, that can result in an explosion.
leaving a battery in an extremely high temperature surrounding environment that can result in an explosion or the leakage of flammable liquid or gas.
to prevent possible hearing damage, do not listen at high sound levels for long periods.
store small parts out of the reach of children and infants. if accidentally swallowed, contact an emergency medicine doctor immediately.
warranty and return policy
the TX–6 is fully factory tested and comes with a 12 month (from purchase date) warranty. this does not include malfunction due to misuse of the device, such as being dropped, crushed or used in an application of inappropriate voltages to the device's connectors or improperly designed or executed modifications.
in particular, you are the sole responsible for damage caused by a charging method other than 5V usb power.
the warranty does not cover shipping charges. make sure to read the terms and conditions here.
click on the section you
want to read more about
what's in the box
audio in examples
audio out examples
knobs and buttons
faders and meters
input mode updated!
parameter knobs settings
brightness and theme
ble (bluetooth) updated!
gnd (usb ground isolation)
midi reference updated!
check that the following items are included when you open the box
6.3 mm adapter
back to index
made in durable aluminium, with pu syntethic leather backing and custom made knobs and faders.
beyond being a mixer, it’s also a usb audio interface, has a built-in synthesizer and sequencer, and much more.
the main control and navigation centers around the select knob and button, with all functions displayed on the compact oled screen.
this guide takes you through the layout, connectivity, various modes and general functions of your TX–6.
the audio inputs are located on the top side of the unit.
the usb type c port can be used as a multi channel audio interface, as well as for midi control, firmware updates, stereo recording and charging.
there are six 3.5 mm stereo mini jack input sockets, all of which can be individually configured as mono, stereo or split L+R, in any combination.
this means you can easily connect as much as up to
6 stereo sources, or even
12 mono sources, shared across the six physical inputs.
the audio outputs are located on the bottom side of the unit.
there are three sockets consisting of one 3.5 mm stereo mini jack for aux out,
another 3.5 mm headset,
and mic mini jack for cue out, and one 6.35 mm stereo jack for main out.
main out fits an included and removable 6.35 mm stereo jack to 3.5 mm mini jack adapter.
connect your audio sources into the TX–6 audio inputs.
units such as pocket operators, OP–1, OP–Z or any other line level sources can be used. pocket operator modular should be connected via its speaker output. guitars and microphones may need a preamp to function well.
cue out directly accepts a headset microphone, such as the M–1.
usb can also be used for audio input, in addition to midi control, firmware updates and charging.
the various outputs on
TX–6 can be connected to headphones, studio monitors, pa speakers or other audio equipment.
main out is used for the main audio output signal.
aux and cue out can be used for monitoring and recording, as well as for creating effect loops.
usb can also be used for multitrack recording to a daw
turn on the unit by flipping the power switch to the up position.
the led next to the switch will light up, indicating that the unit is on.
the display will briefly show the TX–6 power up title screen before arriving at the home screen, showing main level, vu meters for left and right, battery level and usb charge indicator.
the unit is charged through the usb port. battery level is indicated on the home screen and from the system menu.
when charging with the unit turned off, press any button to show the battery level.
the side led turns green when the battery is fully charged.
to keep the battery healthy,
the unit should be charged at least every 6 months. if not used for a long time, it may not charge again.
to update the TX–6 firmware:
let’s start by getting familiar with the main TX–6 interface.
the select knob can be rotated to adjust main volume and parameters as well as navigating the system menu. the select button can also be pressed to select and confirm choices.
shift can be used to exit any menu and to return to home screen. it can also be used in combination with other buttons to access further functions.
sometimes you will need to press buttons in sequence, sometimes in combination. these illustrations and texts will help you to follow along in the guide.
to press a button, tap it and then release. to hold a button press it and keep it pressed down. many of the knobs and buttons have different functionality depending on the context.
press the main select button.
rotate the main select knob.
first press one button and then the other.
press and hold the first button. then the second.
the parameter knobs control the three band eq by default, but can also be configured to control various other parameters. read more over the next pages.
the faders control the volume of the tracks. input level of each track is shown on the led vu meters. if clipping occurs in the input signal, all five leds will turn red. adjust the input gain of the track to prevent clipping.
if a channel is configured as a joined mono input, the fader will control both left and right input signals.
the led brightness can also be controlled from the system menu.
the home screen displays main vu meters, battery charge status and the main volume setting. if any functionality is activated or a knob is turned, that will be reflected on the display before going back to the previous screen.
after a minute of inactivity the display will automatically dim to save power. if the unit is left untouched for some time, the display will turn off. press any button to activate it again.
home screen / master level.
home screen / master level.
FX I and FX II active.
home screen. precise level indicator for faders.
engage solo / mute.
cycle through track menu.
show aux / cue page.
show mic page.
show system menu.
show fx menu.
turn select from the home screen to control the main volume.
press select from the home screen to show the tempo screen.
hold shift and press select to access the system menu.
to exit any menu just press shift.
when a plug is connected into an input socket it is detected by TX–6 and a dialog is shown for you to select which configuration to use: mono, stereo or split. when split mode is selected, you can connect two mono sources to the same input with a splitter cable.
in this mode, the pan parameter controls the balance of those two signals.turn select and click the button to confirm and exit.
the output sockets also detect connections.
left input signal mixed to both channels.
turn one extra step to the left to enable mono input mode for balanced audio signals. using balanced signals might reduce noise.
default left and right stereo mix.
left and right signals combined, for when using a splitter cable.
when a plug is inserted into the main output.
when a plug is inserted into the aux output.
when a plug is inserted into the cue output.
hold shift and press a track button to show the track menu. press several times while holding shift to cycle between the different settings. unless a setting is assigned to a parameter knob, it can be adjusted by turning the select knob. a symbol indicates which knob the parameter is assigned to.
if there are multiple settings on a page, like the eq for example, press select to move to the next setting of the page.
press shift to exit to home screen.
low pass / high pass filter.
high / mid / low.
panning left and right.
pro-tip: press and hold the select button for one second to reset the current parameter to its default value.
if the track buttons do not control any specific feature on the active screen, they are used for solo. press track buttons to select tracks to solo. the type of solo is set from the system menu.
there are four different solo modes:
solo and mute can be useful both during mixing, as well as when performing.
when mixing, you can isolate parts of your mix using solo, for a better understanding of how each individual element comes together in your mix. when performing, you can use mute to creatively bring tracks in and out of your mix, to break it down and build it up.
pro-tip: muted tracks can still be heard in cue out.
solos selected channel and mutes others.
mutes selected channel when pressing channel button.
momentarily solos selected channel and mutes others while holding track button.
momentarily mutes selected channel while holding channel button.
each of the six tracks has three potentiometers. these are the parameter knobs. by default the three knobs control a 3-band equalizer with a gain of ±18 dB per band.
when mixing multiple
tracks together use the eq to adjust the individual track frequencies in order to get a well balanced overall mix.
the default layout for the parameter knobs.
the blue knob controls the high frequencies.
the orange knob controls the mid frequencies.
the white knob controls the low frequencies.
a custom knob scheme can be configured from the pots setting in the system menu. it is also possible to set individual configurations for each track. when a parameter is assigned to a knob, it cannot be controlled from the track menu. when a parameter knob is turned, the configuration will be displayed on the screen for a short time.
the available parameters that can be assigned to a custom knob scheme are:
a configurable scheme for all potentiometers.
individual potentiometer settings. use the track buttons to configure.
dedicated synth controls for the built-in syntheziser and drum machine.
pro-tip: the synth setting quickly assigns all parameter knobs to control the synth engine. great for when using synth mode.
press either of the two FX buttons to toggle the effects on or off.
press shift and either of the two FX buttons to show the audio effects menu. press the FX button again (while holding shift) to switch to the next effect.
turn select to adjust the parameter or change preset. if there is more than one parameter, click select to move to the next. press shift to exit the menu.
effects active on home
pro-tip: when on the fx screen, hold the cue button to listen to the effect without activating it on the main output.
FX I is used for send effects, where some of the signal from a track can be sent to the effect, before it gets returned.
when the FX I page is active, hold a track button and turn select to adjust send level for each track.
hold track and press select to toggle fx send on / off.
hold shift and turn select to adjust FX I return level.
effect send level for FX I.
effect return level for FX I.
more: light, small,
more: 1/8, 1/4, 2/3, 3/4, 1, 3/2.
FX II is used for insert effects, where all of the signal goes through the effect when activated.
FX II can be configured to operate on a single track
or on the main mix.
when on the FX II page, click any track button to select track. click on the selected track again to select main mode.
tap select to reset to center.
tape: stop 1.
more: stop 2, pong.
some functions can be reached through quick access, as well as from the system menu. these functions are tempo and the recorder.
to reach the function currently assigned to quick access, just press select from the home screen.
to switch between quick access functions, hold shift and turn select. tap shift to exit back to home screen.
TX–6 has an internal tempo that can either be set locally or controlled by an external midi clock. the tempo screen is accessible from both the system menu and through quick access.
turn select to adjust desired tempo from 40 to 400 bpm.
use FX I button for tap tempo and use FX II button to set a new start point.
when on the tempo screen, press select to toggle play / stop. this will start the internal sequencer if activated in synth mode.
the tempo is used for beat synced effects, for example tremolo and delay and also sets the tempo for the
clock is stopped.
clock is running using internal tempo.
clock is running and showing a blinking beat indicator. sync out is active.
clock is running and showing a blinking beat indicator. sync in is active.
set midi clock source:
internal / usb / ble
set midi clock output
on / off.
if both input and output is enabled, midi clock messages are routed between usb and ble.
clock source internal.
clock source usb.
clock source ble.
midi clock out enabled.
TX–6 can record and playback 48 kHz 24-bit pcm stereo wav files, using a usb mass storage device such as a usb flash drive or a powered ssd.
the device must be formatted with the FAT file system, using master boot record (not guid).
select disk from the main menu, or use quick access.
when on the disk page, FX I acts as play and FX II acts as record. use these buttons to switch between record mode and play mode, and to start and stop recording and playback.
press shift + record to record in auto mode. recording will start when audio is detected and stop after 5 seconds of silence.
press record to start the recording of a new file. press record again to stop recording.
auto mode screen.
when in play mode, press play button to start / stop playback.
play mode screen.
turn select to scrub. playback is stopped when scrubbing.
press select to show the file browser.
use select to scroll through the files and FX I to start playback. press select to choose a file and return to play mode.
press and hold select while in the file browser to delete a file. confirm by turning and then clicking select.
files are named '000.wav' - '999.wav'. the maximum recording time per file is 248 minutes (4h 8min).
when a usb disk is connected, go to the usb screen in the system menu to show free space in GB/MB and HH:MM.
note: do not disconnect the usb drive when the disk is busy. this is indicated by a flashing symbol on the home screen.
aux out can be used as a second output. press the aux button to show the aux page and see a graph showing the aux send levels of each separate track. control aux output volume with select, and hold a track button and turn select to adjust the aux send level for individual tracks.
press select to access the ‘mode’ setting where aux out can be selected pre-fader or post-fader by turning select.
pro-tip: aux out can be used to create an external effects loop, routed back into one of the inputs.
you can also use aux out for sync output, or with an external recording device to record a live performance.
pro-tip: use the 'out' setting in the main menu to switch aux and cue. this can be useful when using high impedance headphones.
main auxiliary level.
individual auxiliary send per channel with track button.
auxiliary pre-fader selection.
auxiliar post-fader selection.
cue out can be used as a headset output. press the cue button to show the cue page and use the track buttons to choose which tracks to send to cue out. set the cue volume by rotating select.
press select to access the 'mode' setting where the cue output mode can be set to cue or main. main means you will hear exactly what is going through main out.
cue out volume. adjust it with the select knob. be careful with your ears.
pro-tip: use the 'out' setting in the main menu to switch aux and cue. this can be useful when using high impedance headphones.
cue mode cue. use the track buttons to assign which tracks to send to cue out.
cue mode main.
listen to exactly what is going through the main output.
headset with a microphone connected to cue out. see next page.
if a headset with a mic is connected to the cue out, press and hold shift and the cue button to control it.
press the cue button again to cycle between the three mic pages.
turn select to adjust the various settings. if there are multiple settings on one page, click select to cycle between them.
TX–6 can output sync signals over both aux and cue outputs. use this to sync pocket operators, modular systems, or any other compatible devices.
the left channel will have the sync signal. the right channel will have the audio signal.
to enable sync output, first press aux or cue, to access either of these pages.
then hold shift and turn select to enable the desired sync signal.
connect a cable from the aux or cue output to the sync input of whatever you want to control.
note: the aux output has the strongest output signal so choose whatever works best for your setup.
8th note sync screen. this is great for pocket operators.
16th note sync screen. this is great for modular synths.
8th note sync. use this for pocket operators.
16th note sync. use this for modular synths.
since the aux jack can deliver a stronger output signal than the cue jack, their functions can be switched. use this for example to drive high impedance headphones.
TX–6 features a tuner that allows you to check the pitch of any incoming audio signal and help you to tune your instruments.
choose input track by turning the select knob, or use the track buttons. the pitch of your sound will be automatically detected and shown on the display.
tuner detecting pitch.
press shift + select to show the system menu, then turn the knob to scroll through the menu. click select to choose a settings page.
when on a settings page, turn select to adjust the value and press to move onto the next setting on the page (if there is one).
press shift to exit back to the home screen.
click select to access menu items.
the vu meters can be configured to show pre- or post-fader channel activity.
pre-fader metering can be handy to show input levels when setting up for recording, while post fader metering can be great for when mixing or performing. it’s all a matter of personal taste, how you want your levels visualized.
vu meter settings pre fader.
vu meter settings post fader.
the limiter can be turned on or off and prevents TX–6 from clipping the master mix. hold shift and press select, scroll to limiter and press the button again to enter this setting. toggle the limiter on or off by turning select.
confirm by pressing select and press shift to exit to the home screen.
if activated from the system menu, the FX buttons can be used to store and instantly recall effect settings.
when in the track menu, hold shift and hold FX button I or II to save current track settings (eq and filter). the display will indicate that the memory slot was saved.
the saved settings can be recalled by pressing the same FX button (without shift this time). the preset is only active when the FX button is held.
track memory on.
track memory off.
the usb setting in the system menu selects usb audio routing options. these modes are available:
2 + 2 channel interface.
main mix, send and receive.
12 channel usb input, mixed with the analog inputs.
main mix stereo output.
12 channel usb output, post faders. stereo input to main.
great for multitracking to a daw.
pro-tip: TX–6 is MFi certified, meaning you can connect it directly to your iPhone® using any standard usb-c to lighting cable.
(no camera connection kit required!)
press select for additional settings and rotate to adjust.
main out source:
to maximize compatibility with other devices TX–6 supports usb audio in 24-bit 44.1 kHz format.
the default setting is 48 kHz only. use this option for the highest quality audio.
the multi setting lets the audio host choose between 48 kHz and 44.1 kHz sample rates. use this option for extended compatibility.
in synth mode, each channel becomes a configurable sound generator, mixed with any input signal. there are four options for this mode and additional synth settings.
synth mode is off.
trigger sounds using the track buttons.
playing patterns from the track settings.
oscillators are always on.
good for drones.
when synth mode is active there are a few extra settings available per track. hold shift and repeatedly press a track button to access this.
individual frequency / note control per track.
synthesis length or decay adjust.
trigger sequence pattern choice.
dj mode lets you turn TX–6 on its side and use it as a dj mixer. when activated, channel 1 is disabled and its fader is instead used to crossfade between the channel 5 and 6 inputs, allowing you to fade or cut between the two.
connect your headphones in the cue output and you’ve got yourself a very handy setup.
dj mode off. the crossfader works as a regular fader for track 1.
slow fade. dj style crossfade between channel 5 and 6.
fast cut. dj style crossfade between channel 5 and 6.
pro-tip: you can rotate the mixer 90 degrees to get that dj feeling.
the led brightness can be adjusted to your liking. select leds from the system menu and turn select to dim or brighten the led intensity. there are three levels of intensity to choose from. you may want to turn it down in low-light environments and turn it up during sunny field work.
turn select to adjust intensity
press shift to exit.
you can adjust display brightness in the system menu. hold shift and press select, then scroll down to disp. press select again and you can now turn to adjust the brightness of the display.
choose theme from the system menu and turn the select knob to toggle light or dark mode.
press shift to exit to the home screen.
low / medium / high.
dark mode example.
TX–6 can send and receive midi control change (cc) messages over usb and ble interfaces, as well as midi clock and transport control.
turn and tap select in the midi menu to navigate to your desired settings. press shift to exit.
midi in enables midi cc and program change, in to TX–6.
midi out sends midi cc out of TX–6, whenever a knob or fader is moved or a button is pressed.
note on enables incoming midi notes, for use with the built-in synthesizer.
midi off and note off disables all incoming and outgoing midi.
pro-tip: when using external midi control, the internal knobs and faders can be disabled with the midi command 'local control off'.
see the midi reference chart
for further information.
TX–6 can accept connections from bluetooth le midi devices. it can also scan for other advertising ble midi devices.
bluetooth is disabled by default, so to accept bluetooth connections, enable ble in the system menu.
ble is on and accepting connection requests from ble midi hosts.
scanning for ble midi devices and connect to the one with the strongest signal.
if there are multiple TX–6 units nearby you can name your device to avoid confusion. choose name from the system menu for ble device naming.
turn to choose letters and press select to advance.
this will be the advertised name over the ble protocol.
scene allows you to save and recall all TX–6 settings in three different scenes (a, b and c), to instantly switch between your various mixing needs.
scenes can be loaded from the menu, or by using midi program change messages, when midi input is enabled.
you can also use scene to backup all TX–6 settings before a firmware update.
save scene a, b or c.
load scene a, b or c.
if you are experiencing ground loop noise in your setup, use the gnd setting to turn usb charging on or off. when this mode is active, the battery charger is turned off.
firmware version information.
download the latest firmware here
battery level / charging display.
factory reset function. turn clockwise to confirm.
this is an overview of all the paths that the audio signal takes from input to output in TX–6 field mixer, to give you a basic understanding of what happens at the various stages of this process.
as with all teenage engineering products, TX–6 field mixer has been developed with portability and compatibility in mind.
the following pages illustrate a variety of ways in which you can connect instruments such as OP–1, OP–Z, pocket operators and other compatible equipment to your TX–6.
outgoing midi messages in controller mode.
0 / 127
-64 - +63
FX I button
FX II button
incoming midi control messages.
panning / balance
mute / solo
on / off
FX I send
FX I / FX II enable
FX I / FX II engine
FX I / FX II parameter 1
FX I / FX II parameter 2
FX I / FX II parameter 3
FX I return level
FX II track select
0-5 / all
* local control off disables all TX–6 knobs and faders.
on / off:
0-63 = off
64-127 = on
incoming midi note messages for internal synth / sequencer.
play track 1
play track 2
play track 3
play track 4
play track 5
play track 6
trigger track 1
trigger track 2
trigger track 3
trigger track 4
trigger track 5
trigger track 6
incoming midi program change messages.
impedance 10 kOhm
analog gain 0 - 42 dB
max level 8 dBu, 2 Vrms
SNR ~ 102 dBA
audio output (main and aux):
max level 8 dBu, 2 Vrms
cirrus logic masterhifi CS43131
SNR > 120 dBA
audio output (cue):
max level 2 dBu, 1 Vrms
cirrus logic CS47L35
SNR > 110 dBA
ambient working temperature:
ambient storage temperature:
clean the shell of the unit with a microfibre cloth. use pressurized air to remove dust from the faders.
to keep the battery healthy, the unit should be charged at least every 6 months. if not used for a long time, it may not charge again.
teenage engineering TX–6
model no: TE028AS001
fcc regulatory compliance
this device complies with part 15 of the fcc
rules. operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
warning: changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment.
note: this equipment has been tested and found to comply with the limits for a class b digital device, pursuant to part 15 of the fcc
rules. these limits are designed to provide reasonable protection against harmful interference in a residential installation. this equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. however, there is no guarantee that interference will not occur in a particular installation. if this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
ised regulatory compliance
this device contains licence-exempt transmitters that comply with innovation, science and economic development canada's licence-exempt rss(s).
operation is subject to the following two conditions
(1) this device may not cause interference.
(2) this device must accept any interference, including interference that may cause undesired operation of the device.
this equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment. end user must follow the specific operating instructions for satisfying rf exposure compliance. this transmitter must not be co-located or operating in conjunction with any other antenna or transmitter.
the portable device is designed to meet the requirements for exposure to radio waves established by ISED. these requirements set a SAR limit of 1.6 W/kg averaged over one gram of tissue. the highest SAR value reported during product certification for use when properly worn on the body, with 0 mm separation, was 0.91 W/kg.
conformité réglementaire d'ised
l'émetteur exempt de licence contenudans le présent appareil est conforme aux cnr d'innovation, sciences et développement économique canada applicables aux appareils radio exempts de licence. l'exploitation est autorisée aux deux conditions suivantes:
(1) l'appareil ne doit pas produire debrouillage;
(2) l'appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d'en compromettre le fonctionnement.
cet équipement est conforme aux limites d'exposition aux rayonnements ISED établies pour un environnement non contrôlé. l'utilisateur final doit suivre les instructions spécifiques pour satisfaire les normes. cet émetteur ne doit pas être co-implant ou fonctionner en conjonction avec toute autre antenne ou transmetteur.
l'appareil portable est conçu pour répondre aux exigences d'exposition aux ondes radio établies par l'ISED ces exigences établissent un SAR limite de 1.6 W/kg en moyenne pour un gramme de tissu organique. la valeur SAR la plus élevée signalée lors de la certification de produit à utiliser lorsqu'il est correctement porté sur le corps, avec une séparation de 0 mm, est 0.91 W/kg.
hereby, teenage engineering declares that the radio
equipment type TX-6 is in compliance with the CE directive. the eu declaration of conformity is
2400 - 2483.5 MHz
maximum output power:
10 dBm EIRP
hereby, teenage engineering declares that the radio
equipment type TX-6 is in compliance with radio equipment regulations 2017. the full text of the UK declaration of conformity is available here
electrical and electronic equipment, parts and batteries marked with this crossed-out wheelie bin symbol must not be disposed of with normal household wastage, it must be collected and disposed of separately to protect the environment. this product contains a built in Li Ion battery.